Tuesday, April 16, 2013

1989 Disneyland Sketchbook

Somehow, over the course of the past 24 years, I have managed to keep a little pink journal tucked away in my keepsakes.  "Amy's Journal" is dated April 9-16 of 1989 and contains fabulous works of art from a vacation from Oregon to Disneyland.   This particular vacation was an important event in my life, as it is responsible for countless trips to Los Angeles in my teenage years and, ultimately, my move to the city in my twenties.  Thankfully I so thoroughly documented the state of California, as seen through a five year old's eyes.  I've scanned some of my favorites for your enjoyment and ridicule.

 Observe below, please,  "The Big Trafaek."  Ballpoint pen.



I can only assume this was my interpretation of the 5 freeway.  Note the palm trees and, obviously, Disneyland on the right.  This sketch really has it all.  Pencil trees, orange groves, and some sort of shack.  Hmmm.





I like simplicity.  This Mad Tea Party depiction is one of my favorites.  

My medium of choice was a little pack of eight(ish) markers, and I remember that they had tiny ballet slippers on them.

I wish I still had them.
















Now I really have no idea what this one says.  I believe something along the lines of "pirates were trying to shoot us but they weren't real pirates." I was such a liar. At that point in my life, I truly believed those (REAL!) pirates were going to shoot us.   And that my parents would sit idly by while it happened.


 Luckily, we all survived.


As much as I like to make fun of my artistry, and my spelling, and my five year old fears, I am glad I still have this little treasure of a sketch diary.   The miniature me wanted to live at Disneyland forever.  I wish I could go back and tell little me that when I'm a grown up,  I'll be able to go whenever I want.




And finally, a little bit of nostalgia.  The ultimate Disneyland commercial.  The ultimate 1980's Disneyland commercial.  It is impossible to watch this and not want to drive immediately to Disneyland, despite the fact that it is eleven pm and the park is most likely closed for the night.  Genius marketing.  This commercial aired during episodes of Three's Company when I was little, and would encourage rampant dreaming of sunshine,  oranges, California and Disneyland.    If anyone needs me tomorrow, you know where I'll be.






















Friday, January 4, 2013

Post Holiday Post


January always confuses me.  I feel a bit of the post holiday blues, but also a large sense of relief.  It always sounds cliche to comment on the opportunity to start anew, but obviously it's cliche for a reason.  It feels like a chance to start over, to purge the negative and only breathe in the good.  This year, for a change, I am ignoring the holiday blahs and embracing the positive.  I started a new personal project, which will hopefully be worthy of a blog post in the near future.

So please excuse me while I take a moment or two and breathe a sigh of the new year.   I hope the new year brings you peace and happiness, full of opportunity and inspiration!

I'll return shortly with a new diary entry, I promise....

Thursday, December 13, 2012

Very Merry Twitter Secret Santa Art Trade

I am a twitter beginner.  Still fumbling through the concept of tweeting and retweeting and such.  Twitter, in the past, would cause me to shake my head and wonder aloud about the "kids these days...."  However, I am now fascinated with the efficiency of spreading information, and within the world of twitter, I learned of the Secret Santa Art Trade, a twitter gift exchange of original art creations between absolute strangers.

Need I a better excuse to create an absolute mess of gouache, modge podge, pencil shavings, and who knows what else?

So that is precisely what I did.

By the way, can I just mention how much I love gouache?  I don't know how or when or why I ever discovered it, but I could sing its praises all the livelong day.  The only drawback is the lack of a "control Z" option, but mistakes are quite easily corrected and forgotten.

I've dabbled in gouache before, but this truly was my first time creating a final project with the medium, and after many experimentations, I would say my education was quite thorough.  It's expensive paint, so I decided it better to experiment with Reeves student paints.  My bank account feels a lot less guilty, and this brand is pretty fantastic.

At the beginning, I didn't know who I was sending my art to.  So, I unapologetically started a very girly, very ballet concept and just went with it.   Eventually I learned of my random secret match, and I absolutely love the idea that I am sending my painting to someone I don't know.  And that I will be receiving a piece of original art from someone I don't know.  My compliments to the creators, @2dCale and @GenevieveFT.  After the exchange is over and the holiday craziness has calmed down, the artwork will be posted on a tumblr site set up for the event - http://verymerryart.tumblr.com/.

For now, a small little peak at my piece (lest my secret santa happen upon my blog, and see their piece before it is shipped.  unlikely, but you know.)

And with this, I will conclude my second ever blog post.  Stay tuned, I will post the final piece in a couple of weeks and will hopefully by then have something completely new and thrilling to blog about!

Merry, Merry!!!




Monday, November 19, 2012

Tis the Season....


Every year, I start my holiday cards EARLY.  October early.  And every year, the retailers invade our Halloween with plastic trees, jingle bells and peppermint mochas.  I will unabashedly admit that I love it.  I love beginning my holiday celebration before the Los Angeles weather dips below 80 degrees.  The more time for me to putter around in my apartment with knives and paper and paint, creating my holiday cards, the better.


My crafty sister introduced me to linoleum block printing years ago, when we spent an afternoon creating snowman stamp cards to send out for the holidays.  It has now turned into an annual tradition, a painstaking (and painful!)  process that I insist upon doing year after year.

The purpose of a block print is to carve a design from the linoleum with blades to create a stamp.  The stamp can be used to create multiple prints of the image.  The prints are rustic and homemade, each one slightly imperfect and different than the last.

I have a method to my traditional madness.  A very long winded method, which involves multiple trips to the art store and repeated viewings of White Christmas.  I generally make one or two trips to pick up colored envelopes and card stock.   I keep on hand two or three cutting tools, and a few bottles of block printing ink.  Speedball makes all the supplies one could ever need for this process, including a wide range in sizes of linoleum blocks.   Everything they make is usually conveniently grouped together in any art store, and even more conveniently offered as a packaged kit.  http://www.speedballart.com/

So then I proceed to make a giant mess.  I use an envelope to determine where to score and fold my card stock, then I tear each card by hand.  Normally I am a nail biting perfectionist, but I love the haphazard look to these cards.  Then I place all the cards in their respective colored envelope, and I take a photo.

Designing a stamp is sort of challenging, as the design needs to read well when stamped.  When I decide on a design, I transfer it to the stamp and use a No 1 blade to outline.  I then use the No 5 blade to cut away the obvious excess, then I go in with an Xacto knife and outline again.  At that point it becomes very detailed carving.   Disclaimer:  You are guaranteed to cut yourself multiple times.  Just be prepared.  The blades are wicked sharp.  The linoleum is stubbornly difficult to cut through.  Blades will slip and shave your fingers, I promise.


Now that your fingers are destroyed and your floor is covered in scraps of linoleum, you can finally stamp.  Speedball sells a brayer, a small roller that one can use to roll paint onto the stamp.  I like to use a paintbrush.  A paintbrush gives me more control over the small detailed areas.  It takes some practice to make a good print, and I usually stamp against a firm surface, then flip over the stamp and press the paper to the stamp to get some better coverage.  The best part is, no two cards will look alike.   The inconsistencies make this art form so appealing.

Who doesn't love receiving hand made holiday cards in the mail?  Block printing is a great way to create something personal for your friends and family.   Happy printing!!!